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Hand, baton, 3K JPEG

Messages to the Maestro—Introduction

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Ground Rules: Please note that this is not a public forum or real-time discussion board. It is more like a “letters to the editor” facility. I will entertain technical questions or questions about performance practice from professionals and amateurs, scholars, and journalists. However, I am not interested in critiquing the performances and careers of my colleagues. Further, it’s just not possible to give career advice in this setting or evaluate new compositions. We check our mail daily and try to respond in a timely manner. But you may have to bear with us if I’m travelling—and especially if I must refer to a score or some other reference in order to respond. Before you post a question, you might like to click here to search this site or to browse a summary of subjects available in the archives.

Books & Workshops: We have been getting a lot of questions about books and workshops on conducting. While I see some books from time-to-time, I am not nearly as familiar with current books and workshops as someone in music education or a music librarian. In addition to inquiring at your local library and university or conservatory, we can recommend these Web sites:


If you would like to post a question click here.

Click here for the summary of subjects available in the archives.

For comments on Die Walküre, see an interview published December, 1997 in Montreal's La Scena Musicale. Click here for English or here for français. Reprinted here with the kind permission of La Scena Musicale.

©1995-2008 by Joseph Rescigno. The text here may be freely reproduced for non-commercial purposes as long as credit is given.

 


Die Walküre

For comments on Die Walküre, see an interview published December, 1997 in Montreal’s La Scena Musicale. Click here for English or here for français. Reprinted here with the kind permission of La Scena Musicale.

Photo credit: Avery Photography, Milwaukee, WI.

 

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