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Introduction

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Messages to the Maestro—Introduction

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Also of interest:

Commentary by Maestro Rescigno:

For the Florentine Opera Company: Carmen, Idomeneo, Italian Girl in Algiers, Rigoletto, Magic Flute, Río de Sangre, Tosca, Turandot

For Opera Omaha: La traviata.

Lecturing at “Delirious Naples” conference at Casa Italiana Zerilli-Marimò.

Profiles about Maestro Rescigno:

-   Classical Singer
-   criticaclassica
-   La Scena Musicale (Die Walküre): in English ou en français

Interview by Jonathan Palevsky on WBJC, 91.5, Maryland, regarding Marriage of Figaro.

 

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Ground Rules: Please note that this is not a public forum or real-time discussion board. It is more like a “letters to the editor” facility. I will entertain technical questions or questions about performance practice from professionals and amateurs, scholars, and journalists. However, I am not interested in critiquing the performances and careers of my colleagues. Further, it’s just not possible to give career advice in this setting or evaluate new compositions. We check our mail daily and try to respond in a timely manner. But you may have to bear with us if I’m travelling—and especially if I must refer to a score or some other reference in order to respond. Before you post a question, you might like to click here to search this site or to browse a summary of subjects available in the archives.

Books & Workshops: We have been getting a lot of questions about books and workshops on conducting. While I see some books from time-to-time, I am not nearly as familiar with current books and workshops as someone in music education or a music librarian. In addition to inquiring at your local library and university or conservatory, we can recommend these Web sites:


Photo credit: Avery Photography, Milwaukee, WI.

©1995-2014 by Joseph Rescigno. The text here may be freely reproduced for non-commercial purposes as long as credit is given.

 

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