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Messages to the Maestro—Introduction

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• Commentary at the Florentine Opera Company web site, various dates:
  Rigoletto, Magic Flute, Tosca, Turandot
• Río de Sangre.
• Die Walküre (December, 1997, Montreal’s La Scena Musicale):
  English or français.
• Profile published in Classical Singer, August 2008
• Dedication, 2008-2009

Ground Rules: Please note that this is not a public forum or real-time discussion board. It is more like a “letters to the editor” facility. I will entertain technical questions or questions about performance practice from professionals and amateurs, scholars, and journalists. However, I am not interested in critiquing the performances and careers of my colleagues. Further, it’s just not possible to give career advice in this setting or evaluate new compositions. We check our mail daily and try to respond in a timely manner. But you may have to bear with us if I’m travelling—and especially if I must refer to a score or some other reference in order to respond. Before you post a question, you might like to click here to search this site or to browse a summary of subjects available in the archives.

Books & Workshops: We have been getting a lot of questions about books and workshops on conducting. While I see some books from time-to-time, I am not nearly as familiar with current books and workshops as someone in music education or a music librarian. In addition to inquiring at your local library and university or conservatory, we can recommend these Web sites:

• The League of American Orchestras
• The Conductors Guild
• Orchestralist
• ChoralNet

Photo credit: Avery Photography, Milwaukee, WI.

©1995-2011 by Joseph Rescigno. The text here may be freely reproduced for non-commercial purposes as long as credit is given.